Towards an understanding of Mozart's use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro
Thesis for University of Glasgow • 2017 • Read
Research
This is a brief summary of various research-related writings I had published in some form during my short run of academic activity.
I did my MMus as a research degree at the University of Glasgow where I was supervised by John Butt. The plan was always to continue on to a PhD, though funding was an obstacle and I eventually decided to abandon this idea.
My research interests included (but were not exlusive to!):
- Mozart
- Eighteenth-century music theory
- Tempo and meter
- Music and religion
- The role of editing in contemporary music
ORCID: 0000-0001-6603-7920
WOLFGANG AMADEUS MOZART (1756–1791), ED. CLEMENS KEMME MISSA IN C K. 427 Wiesbaden: Breitkopf & Härtel, 2018 pp. x + 177, ISMN 9790004213728
Edition review for Eighteenth-Century Music • 2020 • Read
The 'religion' of Mozart's Requiem and aesthetic autonomy in its early reception
Conference paper for University of Glasgow • 2016
Presentations:
RMA Research Students' Conference, Bangor 2016
University of Glasgow assessment, Glasgow 2016
Classical Opera - Grabmusik/Bastien und Bastienne
Cd review for British Society for Eighteenth-Century Studies • 2019 • Read
Reflections on professional music engraving in the twenty-first century: A declining art in an advanced era
Guest blog for Royal Musical Association • 2016 • Read